The attack and release parameters have six different settings ranging from slow to fast. The tube used to process the signal depends on the amplitude of the latter. Specifications subject to change without notice. It can also be used to process subgroups or individual signals, like vocals, bass, guitar, strings, etc. If you have a deadline or timeframe questions then please contact us before placing the order so we can make sure that we can meet your expectations. You'll find you'll get what you want within seconds. This means, the incoming signal is split between two tubes via a specially designed Mu-Metal iron transformer, running in parallel and then recombined.
And we wanted it to be versatile enough to adapt perfectly to the needs of modern mastering studios. Time control parameters, like attack and release time, are adaptedand fixed to the variable-bias tube circuit. My first use was for a drum bus compressor. Vintage King can help answer any and every question to help you make the right decisions for your sound. Iron would be my first choice for compressing any singer. Simply checkout the Financing page located in the Resources section at the bottom of the page.
The signal of each channel is split across two different twin-triode tubes. The combination of the different response curves of both tubes results in a transparent and musically pleasant compression. This is one of those plugins that I really feel I already had all the tools to achieve the same sound. The Attack and Release parameters have six different settings ranging from Slow to Fast. Thanks to the especially conceived Mu-Metal iron transformers, the signal of each channel is split across two different twin-triode tubes.
Unlike most standard variable-bias designs, which use the bias of a single tube for compression, Iron uses a dual circuit topology. When purchasing electronic licenses or software it is your responsibility to make sure that your computer system meets and or exceed the required specification to install, run and operate the software. The compressor has an additional passive 120V equalizer to give the output signal the finishing touches. The image would be easier to digest if it were spread across individual response graphs. It also sets a new benchmark in terms of tube compressor technology, with the innovative implementation of a parallel dual-tube circuit.
When it comes to getting the best gear, your tastes are probably pretty particular. The double tube emulation does wonders for weak or thin sounds. It's physical presence is commanding to say the least. The first three Rectifier positions produced a clear attack with the main differences being the 1 mF being the fastest recovery and the slowest at 3. They provide different sounds for different applications and music styles. Unique features like bit-depth analysis and high-frequency monitoring offer a new window into the world of high-resolution audio recordings. Electronic licenses and software are not returnable for any reason.
Our goal was to conceive a compressor that provided a pleasant, melodic-sounding, transparent compression, inspired on the vintage compressors of the radio era. Additionally, peak signals of the control voltage are limited by a feed-forward resistive vactrol-opto-isolator. This unit offers enormous flexibility during mastering. It doesnt get much easier that that! Unfortunately, many of these emulations and recreationsdiffer quite a bit form their original counterparts. Is this a blessing or a curse? Additionally, peak signals of the control voltage are limited by a feed-forward resistive vactrol-opto-isolator. Thanks to the especially conceived Mu-Metal iron transformers, the signal of each channel is split across two different twin-triode tubes.
I referred often to the included curve drawings in the manual; they are not typical sidechain curves. Many people might not know the difference, since inserts are the norm these days. This tube is connected in parallel to the remote cut-off tube and it has a considerably steeper characteristic curve. The AirBass mode gently boosts high and low frequencies approx. The compressor's output signal remains lively even with a high gain reduction, and the compression is only noticeable with extreme settings. All settings are linked except for the Input and Output rotaries. For me this development for the uad platform is absolutely useless! And we wanted it to be versatile enough to adapt perfectly to the needs of modern mastering studios.
There is also no ability to link multiple Iron compressors for surround mixing. Our return policy is simple. Barry Rudolph is an L. After the compression stage, the signal can be boosted or attenuated up to ±12 dB with the output gain, which makes the Iron easy to integrate into any signal chain. All functions can be adjusted via switches or, in the case of the Threshold, with a detented potentiometer, making it easy to replicate exact settings.
A very natural harmonic presence is infused with the original sound. The unwelcome intermodulation distortion component of the other control can only be used both sparingly and very carefully. The high harmonic function of this plugin is fantastic - usually; on the wrong source it just makes everything worse. We here at Front End Audio know exactly what it's like to be working with a budget while making gear purchases. For its part, the Tape Roll-Off mode is based on the frequency response of a tape machine and uses a high and a low-cut filter. It can also be used to process subgroups or individual signals, like vocals, bass, guitar, strings, etc. It is a workhorse piece that I use every day.